8. Abstraction and Reality

These things also provide the background to the forms we are now seeking to develop here on this hill. For art, too, has gradually been caught up in an ideology which is without weight and without reality. We have to come to the true nature of things again, and this is only possible if we come to the spirit. We therefore need different forms from those one generally sees in the world of art today. In other words, our age must once again become creative and do so out of the spirit. This goes against the grain with many people today. But try and understand the enormous extent to which our whole ideology has gradually entered more and more into the lifeless sphere, because it has only been considering that sphere. Look at the buildings and at the other works of art produced in the nineteenth century. Really, all one gets is old styles rehashed over and over again. People have built in the classical style, the Renaissance and the Gothic styles—always something which is no longer alive. They have not been able to work with the elements which live in the present. This is what we must achieve; it will create a completely new spirit. It will involve many sacrifices. But[^2] which has new forms created out of the concrete itself, is a pioneering effort. And it matters not only that these forms have been thought, but also that the opportunity was made to produce such a building. These things must be considered and given their full weight, otherwise there can be no comprehension of what we intend to create on this hill. The nature of the whole is such that the forms now coming into existence here contradict and are in utter conflict with the forms created in the rest of the world today.