II. The Building at Dornach

I wanted to bring before you, in these brief, disjointed sentences, an idea of what is intended, and I hope that you have at least acquired some small notion of the Building which, we may expect, will one day stand complete in Dornach. The aim of it all is this: to insert an artistic rendering of our cosmic conception into the spiritual life of the present and the future. People will see that this conception is no mere theory, but is made up of real, living forces. If we had produced something symbolical, people could have said: “That is a theory.” But as the conception is capable of giving birth to art, it is something different, something vital. It will give birth to yet other things; it must fructify other domains of life. There is widespread longing for a spiritual life suitable to the present day, but in this realm we encounter a good deal of visionary, irrational and barren stuff. My hope is that people will learn to distinguish between what is born out of the demands of the present spiritual age, and what arises from confusion and the like. We see spiritual movements, so-called, sprinting up everywhere like mushrooms. But one must learn to distinguish between what springs truly from the real forces of human spiritual development, and mistaken talk about spiritual things. There are many forms of this to-day. Naturally we notice it, for it shows that men are striving towards the spirit. If we keep our eyes open, we shall everywhere see this desire for Spiritual things. A metaphysical novel by a certain Herr Korf has just appeared—dreadful stuff; it is really more a mischievous piece of propagands for the “Star in the East”. I hope that such things, which express in their own way a perversion of man's metaphysical aspirations, will be distinguished from those created out of she fundamental strivings of his being, adapted precisely for our time.