Lecture III

From this you can, however, see one thing, it is not the drawing that does it! And you will therefore understand why to a certain extent I have always been against drawing diagrams so long as we were still trying to run our Anthroposophy within the Theosophical Society. One had only to enter any theosophical branch and the walls as a rule would be plastered with all manner of diagrams; there were drawings of every possible thing with words attached; there ware whole genealogical trees and every possible kind of sketch. However, my dear friends, these drawings are not important. What matters is that we should really be able to have living conceptions; for the same drawing can represent the soul-spiritual in the flowing of hierarchies, the purely material in the continuous germ-plasm. These things are seen very hazily by modern man. Therefore it is so important to be clear that the Greeks still knew something of the real self in man, of the real spiritual and that it was the Romans who made the transition to the abstract concept. You can see all this in what is external. When the Greek talked about his Gods, he did so in a way that made it quite evident that he was still picturing concrete figures behind these Gods. For the Romans the Gods, in reality, ware only names, only expressions, abstractions and they became abstractions more and more. For Greek a certain idea was ever present that in the man before him the hierarchies were living, that in each man the hierarchies were living a different life. Thus the hierarchies were living differently in every man. The Greek knew the reality of man, and when he said, that is Alcibiades, that is Socrates, or that is Plato, he still had the concept that there in Alcibiades, Socrates or Plato ware rising up, within each in a different way, the cosmic thoughts of the hierarchies. And because the cosmic thoughts arose differently these figures appeared different.