Knowledge as a Source of Healing I

One can certainly understand this prejudice, this assumption that the world was always seen in the way we see it today. For those who want proof in such matters, however, even external facts show clearly that the Greeks themselves—so we need not go far back in man's evolution—saw surrounding nature differently from how we do. To spiritual science with its spiritual vision this is perfectly clear, but the knowledge, thus brought to the surface so vividly through spiritual vision, can be arrived at also through physical facts, if we look, for instance, in Greek literature and notice the use of the Greek word chloros. By this they meant green, but curiously enough they used the same word for golden honey and the golden leaves in autumn; it was also applied to the gold of resin. And the Greeks had a word to describe the darkness of hair, which they used as well when speaking of lapis lazuli, that blue stone. No-one can assume the Greeks had blue hair;. So there is ample proof of such things, from which it can be seen that, as a people, the Greeks were simply incapable of distinguishing yellow from green, and that they did not perceive blue as the colour we do but saw everything tinged with the vividness of red or gold. We find all this confirmed by a Roman writer who speaks of how the Greek painters only used four colours—black, white, red, yellow. Judging from our present theory of colour we must say: The Greeks were essentially blind to the colour blue; they did not see the blue in green but only the yellow. The surrounding world had, for them, a much more fiery aspect, for they saw it all with a reddish tinge. The metamorphoses of human evolution thus affect even the way in which a man sees, and as we have said this is capable of external proof. To spiritual vision it is perfectly clear that the whole colour-spectrum of the Greeks was on the red side—that they had little feeling for the blue and violet. For them the violet was much redder than we see it. Were we, according to our present visual conception, to paint the landscape as a Greek saw it, we should have to use quite different colours from those we ordinarily do. They had no knowledge of what we see as nature, and the nature they saw is an unknown world to us. The evolution of mankind progresses indeed by metamorphoses. The point is that the time when intellectualism arose and men became inclined to meditation—the Greeks had little inclination that way—they lived objectively in the world of nature—was the time when a feeling was acquired for the dark colours, the blue, the blue-violet. It was not only the inner nature of the soul that was changed, but also what passed over from the soul into the senses.