Lecture XVII

Beside these viewpoints there existed yet another in all the old cultures. In the late Greek culture, it was already no longer present, but it was still noticeable in more ancient Greek times by those who study this era not in a professorial manner but according to truth. In those times one did not say of a viewpoint in the logical sense that it was “true” or “false”; one said of it that it was “healthy” or “sick.” That signified something! Today we really talk of health or sickness only when we refer to physical man, for in ordinary life we refer to nothing any longer but him. We know that from somewhere in the cosmos come the forces that make us healthy or sick. But when we speak of soul and spirit, we no longer refer to health or sickness; for there we have changed over to abstractions, to mere theory. In the cultures of antiquity, when somebody said something that was correct, one had the feeling that this organized his spirit in a correct sense and he was healthy. When he said something that was awry and what we today abstractly call “false,” people sensed concretely that this came from a sick soul mood. “Healthy” and “sick” were terms that were applicable also to the soul; actually, above all, one felt this way about the soul. Out of this feeling originated a word about which scholars have later written long philological treatises—the word “catharsis” in Greek tragedy, a word that comes out of the Mysteries. According to Aristotle, catharsis takes place in the human soul when it watches a tragedy. Fear and compassion are stimulated in the soul, leading to a kind of crisis, to catharsis, and the human being in turn is purified by fear and pity. Thus, the process that occurs in the human soul when it looks upon a tragedy is described as a healing process occurring in the strengthened soul. There, in aesthetics, in art, you still have the concept of a curative element and of an element that causes an affliction.