Lecture III

The Christian faith also got caught up in the meshes of this theology; it became theology. The language of Rome was made logical, the Christian faith theological. The true life of Christianity was submerged in a luciferic element that bore an ahrimanic mask. The personal and individual element was always there, but it was more instinctive. It was not able to unite fully with the element which came from above. It is particularly interesting to observe this when it was at its most striking, during the Renaissance. There we see a highly developed theology with concepts and ideas of other worlds but no perception. Everything took the form of tradition during the Renaissance. Romanism had preserved the original, ancient wisdom in a theology that had brought it down into the realm of ideas, where it lived on as a luciferic element. Those theologizing elements are still marvellously apparent in Raphael’s wall paintings in Rome, the Disputa, for instance.[^3] Profound wisdom, more or less living on in words, no longer offering perception, but holding true wisdom for those who are able to connect it with perception. We also admire the theology in Dante’s Divine Comedy,[^4] though we know that whilst Dante gained some of the old true perception—thanks to his teacher Brunetto Latini,[^5] as I have shown on another occasion[^6]—most of the work represents the traditional, theologizing approach with a strong luciferic element in it. We can also see that the entities which brought the ancient wisdom into the theologizing element also brought the essence of Greek art into the art of the Renaissance, a Greek art that originally had soul quality before and had become more rigid, but still came down through tradition. Goethe[^7] was therefore able to perceive the resurrection of Greek art in the art of the Renaissance.