Evolution of the Soul and of Memory

We have now come to the time when, not from any conscious, subtle finesse, but right out of his own inner being, man had developed the need of living in rhythm. He felt a need so to reproduce, within himself, what he heard that a rhythm was formed. If his experience of a cow, for instance, suggested ‘moo,’ he did not simply call her ‘moo,’ but ‘moo-moo,’—perhaps, in very ancient times, ‘moo-moo-moo.’ That is to say, the perception was as it were piled up in repetition, so as to produce rhythm. You can follow the same process in the formation of many words to-day; and you can observe how little children still feel the need of these repetitions. We have here again a heritage come down from the time when rhythmic memory prevailed, the time when man had no memory at all of what he had merely experienced, but only of what he experienced in rhythmic form,—in repetitions, in rhythmic repetition. There had to be at any rate some similarity between a sequence of words. ‘Might and main,’ ‘stock and stone’—such setting of experience in rhythmic sequence is a last relic of an extreme longing to bring everything into rhythm; for in this second epoch, that followed the epoch of localised memory, what was not set into rhythm was not retained. It is from this rhythmic memory that the whole ancient art of verse developed—indeed all metrical poetry.