Wonder in Everyday Life, Nero, Crown Prince Rudolf

But it was also known how this ‘consumption’ in the life of soul can be counteracted. It was known that the Temple Architecture, where men beheld the equipose between downbearing weight and upbearing support, or when, as in the East, they beheld forms that were really plastic representations of moral forces, when they looked at the architectural forms confronting the eye and the whole of the perceptive process, or experienced the musical element in these forms—it was known that here was the remedy against the consumption which befalls the senses when they merely gaze out into nature. And when the Greek was led into his temple where he beheld the pillars, above them the architrave, the inner composition and dynamic of it all, then his gaze was bounded and completed. When a man looks at nature his gaze is really no more than a stare, going on into infinity, never reaching an end. In natural science too, every problem leads on and on, in this way, without coming to finality. But the gaze is bounded and completed when one faces a work of great architecture created with the aim of intercepting the vision, rescuing it from the pull of nature. There you have one feature of life in olden times: this capturing of the outward gaze.