Lecture IV

Those who realise the import of these things will not think it so strange when spiritual investigation urges one to speak of this epic story of a man who by vowing to sacrifice intellectuality was transformed in such a way that the heavens were opened to him. But in the form of tradition many a fragment from that ancient epic has survived, in substance largely unchanged, but no longer understood—above all its great setting and its imagery were no longer understood. The content of this work of poetic art became the subject of numerous paintings. These paintings too were exterminated and only traditions survived. Fragments of these traditions were known in a circle to which Brunetto Latini, the teacher of Dante, belonged. From this teacher Dante heard something of the traditions—not of course in precision of detail, but in aftermath—and in his Divine Comedy echoes from that old epic still live on. But the work existed, as truly and as surely as the Divine Comedy itself exists.