76. About the Photographs of the Construction

GA 246/1918-06-30/p011 ·1918-06-30 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Nach zum Teil bruchstückhaften Mitschriften» (From transcripts that are in part fragmentary). The publisher's description of the volume, as mirrored on AnthroWiki (GA 246), which also speaks of "fragmentarischen Hörernotizen und Vortragszusammenfassungen". The translation is the maintainer's, not a published one.

First of all, it is important that you focus on the basic idea. This consists of the fact that other architectures are made with the walls in mind; this architecture - because it is in space - is intended to have closures. And that which closes off is the walls. The walls are also so formed in their shapes in the ordinary architectures that they close off, that they make the world of sensation opaque. When one is inside the building, [then this is expressed from the outside] in such a way that a piece of space is closed off. This idea has been broken with us. Our entire architecture is formed in such a way that it is, I would like to say, emotionally transparent. You should be in the room and get the feeling that the forms that make up the walls visibly take hold of you, that these forms cancel themselves out, that they are such that you don't have the feeling that a room is closed off here, but that everything goes out into the distance. In other words, the forms themselves should create walls that dissolve into walls that are transparent to the soul. That is the basic idea in all the forms that have been given.

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Cite: GA 246/1918-06-30/p011 · edition English