76. About the Photographs of the Construction

GA 246/1918-06-30/p045 ·1918-06-30 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Nach zum Teil bruchstückhaften Mitschriften» (From transcripts that are in part fragmentary). The publisher's description of the volume, as mirrored on AnthroWiki (GA 246), which also speaks of "fragmentarischen Hörernotizen und Vortragszusammenfassungen". The translation is the maintainer's, not a published one.

I would like to emphasize that all these things actually show their correct form, especially when they are carved from wood. I had not been able to find out the reason, even by occult means, why the Greek motifs, the pagan, the Gothic [figures] were all sculpted in stone instead of wood. Whereas all the things that were sculpted in wood with the Christian development are actually properly expressed. [Illegible words] If it were in wood, it would first show what it should be. She is a Pietä. You can't really make a Christ in stone. The figure of the apostle is suitable for stone. The same goes for the Lateran figure of Christ, which should also be made of wood. That's very interesting, the fact certainly exists for me, but the reasons will perhaps first emerge in occult research. Why, I don't know myself today.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/246/1918-06-30/p045.json
Cite: GA 246/1918-06-30/p045 · edition English