5. Faust and the Problem of Evil

It is roost wonderful how the motifs are intertwined. We see how Goethe uses the interplay of that which lives within us out of the fourth and the fifth post-Atlantean epochs. But he knew still more. He points to the esoteric legend of Helena,—of how in Troy there was only the Idol, that which is founded in the stars, which is of cosmic origin; while the other, the individual Being of Helena, had moved to Egypt, to Proteus. In the declining city of Troy, that part of Helena remained which belonged to the third post-Atlantean epoch, which the third post-Atlantean epoch expelled. It was the part of Helena which Egypt allowed to go; while as to that which Egypt reserved for the fourth post-Atlantean epoch, Menelaus took it back from Egypt and brought it again to Greece. Thus in the esoteric Helena-legend, which Goethe certainly adapted, not only the fifth but the fourth and also the third post-Atlantean epochs play their part. Goethe made use of the Helena-problem in a most wonderful way.