7. Some Spiritual-Scientific Observations in Connection with the “Classical Walpurgis-Night” from the Point of View of Spiritual Science

Now we cannot say that Goethe definitely knew anything of that phase of development, peculiar to man, beginning in the middle of his life. But he felt, he divined—divined very clearly—that through impulses inherent in the world-order man is a different being in the second half of his life from what he is in the first. And if we look into Goethe's soul-life more deeply than modern superficiality generally desires to do, we see his intense longing to gain something quite exceptional for his own life from the culture of the south—the culture of Italy. And if we follow up what he himself records of the benefits he reaped from the Italian tour, for himself, for his knowledge, for his art, we begin to feel hoe Goethe wished to make the transition into the second half of his life fruitful for himself through a deeply penetrating influence which he believed it impossible to experience by always remaining in his old surroundings. Goethe was conscious that in the forties something takes responsibility for the human soul which throws a very different light upon the nature of man than a man can gain through the human forces of the first half of life. And this knowledge, so clearly divined, flowed into the creation of the second part of his “Faust”. It was always particularly difficult for Goethe to approach the question: How does one acquire self-knowledge? If we follow his development aright, we may see his struggle for self-knowledge in a most interesting, most significant light. And little by little—not in the beginning, when he was still writing the youthful part of Faust, but later, gradually—the creation of Goethe's Faust-figure, and the whole poem, acquired such a stamp that the struggle for human self-knowledge may be said to find in “Faust” its most outstanding expression.