II. Impulses of Transformation for Man's Artistic Evolution I

GA 275/1914-12-29/p040 ·1914-12-29 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

To translate this we would have to say: “So that thy servants may sing with liberated vocal cords the wonders of thy works, pardon the sins of the lips which have become earthly—one might say which have become capable of speech—O Saint John.” It was to one who could hear the heavenly Jerusalem that men looked up in this connection. Let us extract certain things that lie hidden in such a verse: Ut (this word was later replaced by do), resonare ( re) , mira ( mi), famuli ( fa), solve ( sol), labii ( la), S.J. ( si). So you find that ‘do, re, mi, fa, sol, la, si’, the names of the notes in medieval musical notation, have been carefully hidden in this verse.

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Cite: GA 275/1914-12-29/p040 · edition English