VIII. Working with Sculptural Architecture II

GA 275/1915-01-04/p004 ·1915-01-04 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Now let us have a look at the whole question of related artistic forms. We get closest to this if we do what human beings unfortunately do far too seldom, and think of the tremendous artistic creative activity we find exemplified if we are able to look at the spiritual aspect of nature and recognise natural creation as a product of the spirit. I would like to draw your attention to the forms of the bony system because it is easiest to see there. Man's bony system, especially, is less difficult to study than the forms of any other living organisms.

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Cite: GA 275/1915-01-04/p004 · edition English