VIII. Working with Sculptural Architecture II

GA 275/1915-01-04/p005 ·1915-01-04 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

You will know that I have been trying for decades to arouse some understanding in the world for the significant discoveries Goethe made in the field of anatomy and physiology, which I should like to call his second major achievement in this realm. I will not touch on the first one today but only refer to the second. This second significant discovery owes its origin to what one might, in the external materialistic world, call the combination of chance and human genius. Goethe himself relates that one day when he was going for a walk in the Jewish cemetery in Venice he found a sheep's skull that had fallen apart at the seams. Picking it up and looking at the form of the bones the thought occurred to him, ‘When I look at these head bones, what actually are they? They are transformed dorsal vertebrae.'

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Cite: GA 275/1915-01-04/p005 · edition English