VIII. Working with Sculptural Architecture II

This slipping into things and being inside them is another way of imitating the creative forces in nature, and unless modern industrial civilisation does this, it will not overcome its godforsakenness. It would be impossible to imagine the ordinary kind of chimney as a product of natural creation. It only exists because there is a denial of divine-spiritual forces in nature. There is hardly anything outside in nature that you could compare with an ordinary chimney except possibly the rather hideous-looking asparagus plant. But that is a kind of exception. Whatever grows with the forces of earth can never go straight upwards like a chimney. If you want to study the forces that work in an upward direction, a tree is the best example in which to find what corresponds to the hidden forces in the earth, for a tree does not only develop a trunk in the vertical, but also has to reach out with its branches. The point obviously is not to imitate this directly in the model, but to study those forces which radiate out from the earth and overcome the purely vertical direction of the tree trunk by reaching out breadthways and putting forth branches. This part here does justice to the centrifugal forces in space, in the cosmos, to what I would like to call the branchlike centrifugal forces (on the chimney).