VIII. Working with Sculptural Architecture II

Now imagine for a moment a human being who is in the following situation: he does not just follow the course of his blood as it responds to the outer world and then receive a mirror image of what his blood does, nor does he just follow the course of his nerves and receive a mirror image of what his nerves do, but he is in a position to experience within himself what is denied us with regard to our blood and our sense nerves; he experiences the blood moving towards the nerve and the eyes. If this were the case he would enjoy his own inner process, at least in the blood and the nerves in this area. This is how the inner pictures of atavistic clairvoyance arise. What we see reflected are only pictures, filtered pictures as it were of what is in the blood and the nerves. There are world secrets in the blood and nerves, but the kind of world secrets that have already given their substance to creating us. It is only ourselves we get to know when we acquire the imaginations resulting from experiencing the blood circulating to the senses, and it is only the inspirations which have the task of building up our bodily nature we get to know, when we experience ourselves in the nerves leading to our senses.