Lecture VI

GA 276/1923-06-09/p023 ·1923-06-09 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Proceeding from the bottom of the picture to the really beautiful, to Mary herself rising into the realm of wisdom, we see that Titian was able to paint her beautifully because she has not yet arrived at, but only soars up toward, the realm of wisdom; and we feel that, were she to rise still higher, she must enter where art ceases. Below stand the Apostles. Here the artist has tried to express their earth-fettered character. But now a different danger threatens. Had he placed Mary further down, he could not have depicted her inward beauty. If Mary were to sit among the Apostles, she could not appear as she does as a kind of balance between heaven and earth; she would look different. She simply does not fit among the Apostles with their brownish tones. Not only are they subject to earthly gravity; something else has entered: the element of drawing takes hold. This you can see in Titian's picture. Why is it so?

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Cite: GA 276/1923-06-09/p023 · edition English