12. Eurythmy Performance

GA 277b/1919-05-06/p008 ·1919-05-06 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

In recent times, people have forgotten how to relate to true poetic art. You really can't recite or declaim at all today because you always read prose. Here the human being is compelled to know that poetry is more than mere prose, that poetry is formed, shaped language. Therefore, when it is recited – which means you will also hear what you are giving in the movements – it will be rendered through artful speaking, not through prosaic declamation, as you can see everywhere where art is lost in this field. A genuine art must be found again for declamation. This art is being learned right now, when one is compelled to adapt declamation to what man, when he is completely larynx, must express.

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Cite: GA 277b/1919-05-06/p008 · edition English