19. Eurythmy Performance

GA 277b/1919-08-16/p017 ·1919-08-16 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

I need only remind you that a poet like Schiller never first had the content, or at least often did not first have the content of a poem in his soul; but before he knew what he was writing about, what the content of the poem should be, an indeterminate melodious tone formation went through his soul and he formed the poem according to this tone formation. Therefore, the art of recitation that must accompany our eurythmy today will still be misunderstood in many ways, because we have to go back to older forms of recitation.

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Cite: GA 277b/1919-08-16/p017 · edition English