38. Address on Eurythmy and the Passion Play

GA 277b/1920-01-10/p009 ·1920-01-10 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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Therefore, there is nothing arbitrary, nothing merely pantomime or mimic in this eurythmy. If two people or groups of people in completely different places express one and the same piece of poetry or one and the same piece of music through this formal language of eurythmy, there is no more individuality in the two different performances than there is in the performance of one and the same Beethoven sonata by two different pianists. All arbitrariness is avoided. There are inner laws in the sequence of movements that could not be otherwise, because they are derived from the essence of nature itself. Just as the harmony and melody of music have an inner lawfulness, so here everything that is revealed in the movements has an inner, musical lawfulness. We are dealing here with a visible musical art.

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Cite: GA 277b/1920-01-10/p009 · edition English