41. Eurythmy Performance

GA 277b/1920-01-18/p007 ·1920-01-18 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

But also otherwise, when we study the nature of the sounds that you can make, we find a connection between the formation and especially between the way in which these sounds are placed in the world, and between the production and transformation of sounds. The one who truly possesses the gift of perceiving with both the senses and the supersenses will intuitively see a connection between the structure and, in particular, the movements as they reveal themselves from the entire muscle system, say, in the case of predators and their roar. Or one will intuitively discover an intimate connection between the way a bird sails on the waves of the air and the kind of intense inner movement that comes to expression in its tone production and tone transformation. If one studies this mysterious connection between movement and tone production in nature, one can also extend such a study to the human being. And then one penetrates ever further and further into that which really lives far below the threshold of ordinary consciousness: into the connection between human movement and audible speech. One can study the movement of the larynx, the tongue, the palate and so on and so on. You can study how these movements are transmitted to the vibrations of the air – as I speak here, the air is in motion. You can then study how everything else that a person can do can become an expression of a similar kind, just as sound becomes an expression of human soul experiences.

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Cite: GA 277b/1920-01-18/p007 · edition English