47. Eurythmy Performance

GA 277b/1920-02-08/p011 ·1920-02-08 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

I could also characterize the matter from a different perspective. You just need to think about how our thinking life is structured. It is the case in our time that in our ordinary [dreams] images play a role. Our ordinary [dreams], if one is not directly pathological, are accompanied by images of movement. We move in our dreams, but the movements are only images. The element of movement recedes completely into the element of the dream. The opposite is the case with eurythmy. There the element of thought recedes completely and the element of will comes to the fore. Therefore one can say: in an ordinary dream there is a consciousness that is tuned down; in eurythmy there is an over-consciousness, a stronger waking up than the everyday waking up of consciousness. That is the essential point: there is absolutely nothing dream-like in the language that is given as a silent language in eurythmy.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/277b/1920-02-08/p011.json
Cite: GA 277b/1920-02-08/p011 · edition English