51. Eurythmy Performance

GA 277b/1920-02-22/p015 ·1920-02-22 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
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If one were to base it on facial expressions or pantomime, then only prosaic elements would actually be possible; nothing truly artistic would be able to be expressed through this eurythmy. But that is not what we are aiming for. All that is mere pantomime is excluded here. Everything is based on an inner law, just as the melodic element in music is based on an inner law of succession in time. It is music in motion, music that expresses itself in movements instead of sounds. So that if one had two different presentations in two different places and the same thing were to be presented eurythmically, there would be no arbitrariness in it, but just as much difference in the individual presentation as one and the same sonata could be played individually differently in two different places.

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Cite: GA 277b/1920-02-22/p015 · edition English