54. Eurythmy Performance

GA 277b/1920-03-28/p004 ·1920-03-28 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Allow me to say a few words about the presentation we would like to give you. We are attempting to search for a new art form, and a new art form it is, for the simple reason that we are striving to shape this art form out of a very specific source. It is given by people and shown to people on the stage. These movements are performed either by the limbs of the human body moving or by the whole person moving in space or by groups moving and bringing each other into position. All that is sought in this way is not just a collection of random gestures or gestures that are momentarily sought for some kind of emotional feelings or inner experiences of the soul, but everything that occurs in movements is, in the truest sense of the word, a mute language, but a language that is as arbitrary as the language of sound in the spoken or sung word.

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Cite: GA 277b/1920-03-28/p004 · edition English