54. Eurythmy Performance

GA 277b/1920-03-28/p008 ·1920-03-28 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Just as two pianists playing the same piece only within very specific limits of their individual conception and the piece comes into its own, so too, through the various performances at different places with special persons or groups, only in individual conceptions, within very specific limits of conception, that which is essential comes to the performance, and that is the same. For there is a rhythmic, tactful, full connection also in the succession of movements, which comes about through the fact that the whole is developed regularly according to the principle indicated.

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Cite: GA 277b/1920-03-28/p008 · edition English