59. Eurythmy Performance

GA 277b/1920-04-17/p004 ·1920-04-17 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Dear all, As always before these rehearsals of our eurythmic art, I would like to take the liberty today of saying a few words about the sources of this eurythmic art and about the new forms of expression in which we attempt to express that which can otherwise only be expressed artistically through song, music or the poetic word. We imagine eurythmy to be a kind of silent language. But it certainly creates an art form that could, in a certain way, open up paths that, it seems to me, are being sought today by a wide variety of artistically thinking and feeling people. It cannot be denied that a large number of our contemporaries are justifiably convinced that the old ways of artistic creation need to be renewed. Everywhere – in the fields of painting, music, and sculpture – a new formal language is being sought in a certain way.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/277b/1920-04-17/p004.json
Cite: GA 277b/1920-04-17/p004 · edition English