59. Eurythmy Performance

GA 277b/1920-04-17/p006 ·1920-04-17 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Now, if we start from the language of man, then in language there flow together, firstly, the phonetic element, produced by a certain part of the human body organization, with the mental element, which in poetry is permeated by the phonetic element; in song less so, but still the human soul also strives for expression through song and music. And just as there is a sensual element here, so it is true that especially in poetry, by having to use language, the more advanced a language is, the more difficult it becomes to create poetic and artistic expressions , simply because the civilized languages gradually approach the conceptual element, also approach the conventional element – they become lingua franca, they serve human social coexistence and so on, and so on. The more language becomes a means of expression for social coexistence, the more it becomes a means of expression for thoughts, the less it is suitable for the revelation of the truly poetic.

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Cite: GA 277b/1920-04-17/p006 · edition English