59. Eurythmy Performance

to the production of the work of art.” And how can order, measure, harmony and meaning not best be combined in rhythm and tact, to give, as it were, moving sculpture and silent music, silent poetry, when one uses man himself as a tool for artistic formation? From this point of view, I ask you to accept with indulgence what is, however, only in its infancy, but is heading towards perfection, even in its present form.