71. Eurythmy Performance

GA 277b/1920-07-11/p005 ·1920-07-11 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

What you will see on the stage resembles a kind of gesture performed by the whole human being. But it is not, and one would judge eurythmy quite wrongly if one thought that the movements that come about either through the individual human being or through human groups are mere gestures that are supposed to express what is to be presented either on the one hand musically or on the other hand poetically or recitatively. Eurythmy wants to be a real visible language, it wants to reveal in plastic movement exactly the same as the human larynx and its neighboring organs can reveal through sound.

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Cite: GA 277b/1920-07-11/p005 · edition English