71. Eurythmy Performance

GA 277b/1920-07-11/p009 ·1920-07-11 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
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So in this visible language of eurythmy, we have something before us, not in the individual gesture, not the expression of something that lives literally in the soul, but we have in the individual eurythmic movement in which the whole human being feels as he feels in a single sound or word or word context, as he feels in spoken language. And what is effective is not that it expresses something in the soul as an individual element, but that one movement is linked to the next, creating a sequence of movements, just as a sequence of sounds is created in speech. Exactly the same way as it is in music, where we also have an inner, lawful movement in the succession of tones, in eurythmy such an inner movement comes to light, so to speak, as inner plastic music.

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Cite: GA 277b/1920-07-11/p009 · edition English