71. Eurythmy Performance

This production of the work of art comes to life, I would say, most fully when the human being, in the realm in which he sees eurythmy, makes himself an artistic tool for what he has to represent. Then this microcosm, this small world, as the human being presents it, as he brings it before us, is really not conceived of as a collection of arbitrary elements for the expression of the subjective, which comes to expression in the gesture, in the facial expression. Rather, what is inherent in him from his entire integration into the world, that is to be said with regard to the artistic aspect of eurythmy. And first and foremost, eurythmy should be something artistic.