8. Speech on Eurythmy

If we can recognize these movement tendencies, which are excited by the larynx and all of its speech organs, and observe them through sensory and supersensory observation, then we can also, by elevating the principle of Goethean metamorphosis into the artistic, move the whole person and also groups of people in such a way as they would otherwise, I would like to say, want to move, by into the handling of human functions. According to this principle of Goethe's metamorphosis, one can move the whole person and also groups of people in such a way as the larynx and its neighboring organs would otherwise, I would like to say, want to move in ordinary tonal language.