8. Speech on Eurythmy

GA 277c/1920-10-17/p013 ·1920-10-17 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

But in all this it is our etheric body that remains, so to speak, at rest in itself, but makes parts of itself - that is, its interior - a resonance of natural events. But in the moment when we let the secrets of nature flow into us more deeply than is the case with singing and declaiming, then we will let them flow through the organs of speech and song, into the whole bodily organization, into that which is in outer nature. Then the person does not feel as if they are holding – as they do when singing or declaiming – what they are making sound as an echo of nature, but they feel as if they are immediately transforming into movement what they have overheard from nature as secrets. So although the human being is the instrument for bringing the moving or symmetrical or proportioned supernature to expression, he immediately passes over into nature. He does not retain what he absorbs from song or music, but passes immediately into outer nature. The human being is completely selfless, physically selfless. He becomes an instrument of that which the secrets of nature itself are when he eurythmizes.

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Cite: GA 277c/1920-10-17/p013 · edition English