8. Speech on Eurythmy

GA 277c/1920-10-17/p018 ·1920-10-17 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

During the course, I spoke about 'declamation and recitation', and it is indeed the case that our eurythmy, which is accompanied on the one hand by the musical — which is just another form of expression for what eurythmy also presents — on the other hand by recitation and declamation, which is another form of expression. For in recitation the human being uses only a single organ, whereas in eurythmy he uses his whole body. But what becomes apparent is precisely this: it is in eurythmy that one can recognize how justified the things are that I spoke about in our current course on recitation over at the Bauhaus.

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Cite: GA 277c/1920-10-17/p018 · edition English