21. Address on Eurythmy
What Goethe applies to form can also be applied to the activity of the organism and then elevated to the artistic. So we can say: What a person develops as a certain inner tendency of movement when he speaks – in every sound, in every turn of phrase, in everything that becomes audible through speech – is based on an inner tendency of movement. This is precisely why the whole human being reveals himself in language.
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GA 277c/1921-01-30/p009 · edition English