33. Eurythmy Performance

GA 277c/1921-05-05/p026 ·1921-05-05 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

He can rise all the more to the production of the work of art, the more he uses his own organism with the wonderful laws within it as a tool, if he does not use external instruments, but uses his own organism as a tool for artistic expression. Then it becomes apparent how, basically, a kind of small world, a microcosm, is also contained in the possibilities of movement of the human organism. There are tremendous secrets to be drawn from this human organism. And so, in such a development of eurythmy, one senses the truth of Goethe's words: “When nature begins to reveal her secrets to him who is open to them, he feels an irresistible longing for her most worthy interpreter, art.”

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Cite: GA 277c/1921-05-05/p026 · edition English