52. Eurythmy Performance

GA 277c/1921-10-16/p013 ·1921-10-16 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Today, the understanding of recitation or declamation is by no means correct. Greater value is placed on so-called reciters or declamators who succeed in overcoming the inner, linguistically structured structure of a poem and emphasizing the prose content, the literal content. It is perceived as very internal. That is something that must be characteristic of an inartistic age. But we must return to the artistic concept of recitation and declamation. It would be impossible to accompany the eurythmics, which bring out and reveal the subtexts of a poem, as prosaically as is popular today.

Read this passage in another edition
DEoriginalENEnglish
Raw JSON: /v1/steiner/en/ga/277c/1921-10-16/p013.json
Cite: GA 277c/1921-10-16/p013 · edition English