Eurythmy Performance

GA 277c/1922-11-05/p015 ·1922-11-05 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

And one can declaim and recite a poem, as you will also see afterwards. What is declaimed and recited through poetry is simultaneously presented to the eye in the visible language of eurythmy from the stage. This brings out the depths of poetic art that cannot be brought out by spoken language, which is always dependent on thought. Great poets always have something musical or pictorial behind the words of their poetry. Schiller had something vaguely melodious in his soul, especially in his most significant poems. He did not yet have the words for the poem – he had something vaguely melodious. It was on this vaguely melodious basis that he first arranged the pure prose content, so to speak. It was only because it had something musical in the background that it became poetry. Other poets have something pictorial. They then use this pictorial imagination to shape what language makes possible in terms of sound formations and sound formulations.

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Cite: GA 277c/1922-11-05/p015 · edition English