Eurythmy Performance
You will see, dear audience, that not only such eurythmic things — namely eurythmic forms — are expressed in parallel with recitation or declamation, but also in parallel with music. We are now accustomed to understanding that which parallels music in the art of human movement as dance. Here, however, it is not meant as dance, but as visible singing, so that the whole human being appears before us in motion, while at the same time the musical motifs are heard, so that the whole human being sings in his movements — not dances, but sings — in a visible way to the music, just as he otherwise sings in an audible way through [the] larynx and so on.
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GA 277d/1923-02-04/p011 · edition English