Eurythmy Performance

GA 277d/1923-04-08/p007 ·1923-04-08 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

And one can say: what we have before us when we sit down to read a book of poetry and read it as we read prose, where we mainly reflect on the fact that we are taking in the intellectual content, when we sit down to read a book of poetry, we actually have little more of the poem before us than we have in the score of any piece of music that we merely look at with our eyes. The poem only becomes a poem when it is translated into the linguistic element, when one hears the sound structure, the sound harmonies, the melodies, even if only in the mind, in the imagination. So that the poem only really comes into being when it is recited or declaimed, regardless of whether it is actually declaimed or recited or whether it is absorbed by an imagination so vivid in its sound formation and sound content that this very speech formation lives in the supersensible.

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Cite: GA 277d/1923-04-08/p007 · edition English