V. Choral Eurythmy

GA 278/1924-02-23/p029 ·1924-02-23 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Then, when the lowest note is taken by the first person, the next highest note by the second person, and the third note (if you wish, the fifth) by the third person, then you can tell by looking at it that the right thing has happened. The motif, when brought into movement, is carried over to the next group of people. And when the whole chorus is moving, each individual must endeavour to retain the right position in relationship to the others, so the whole design of the form (which is determinded by the relative positions of the people) may be expressed through this.

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Cite: GA 278/1924-02-23/p029 · edition English