I. Eurythmy as Visible Speech

Now once more let us picture the eurhythmy movements for a, for b, for c, and so on. Let us imagine that the gods, out of their divine primeval activity were to make those eurhythmic movements which correspond to the sounds of the alphabet. Then, if these movements were impressed into physical matter, the human being would stand before us. This is what really lies behind eurhythmy. The human being as we see him is a completed form. But the form has been created out of movement. It has arisen from those primeval forms which were continually taking shape and again passing away. Movement does not proceed from quiescence; on the contrary, that which is in a state of rest originates in movement. In eurhythmy we are really going back to primordial movement.