IV. The Symbolism of the Building at Dornach II

If you want to understand our building, you also have to bear in mind that the entire treatment is appropriately designed for the new architectural style in terms of character. It is the case, for example, that even the artistic treatment of the wall is different from the way walls were treated in earlier architectural styles: the wall was always conceived as the boundary of the space that one wanted to close off. Here at the Goetheanum, the wall is conceived in such a way that it actually overcomes itself. This is physically achieved in our windows. Our windows, in so far as they are the main windows of the auditorium, are etched out of single-colored glass panes. It is then the case that the artistic works are actually only created by the sunlight shining through. So the processing of the window panes is a preparation, and the whole impression is created by the interrelationship between what has been worked on the pane and the sunlight shining through. In the windows, in particular, what has otherwise been striven for in the entire building has been physically achieved, whether through the design of the columns, the carving on the walls, or the painting: the wall virtually dissolves. So that when you look at the wall, you don't have the feeling that the space is closed off, but that you have the feeling that you are being led out into the cosmos through the wall. With the windows, you must have this feeling physically, because you lead directly, I would say, to the effect of light on the outside, purely through the physical design of the panes; but with the other wall designs, this has also been attempted artistically.