IV. The Symbolism of the Building at Dornach II

GA 288/1920-04-05/p011 ·1920-04-05 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

And now, look, how could it not be possible to create from color itself? I just want to know when someone says: I am not interested in something created according to the model, but I am interested in applying the colors, I just want to know why then the form should not emerge from this pure application of the colors as the creature of the color. We have to get away from the model again. We have to get away from being tied to the naturalistic. Art has worked on that long enough. But we have to be able to develop an interest in seeing a light surface simply as a color spot and seeing a dark surface as a color spot. I would like to know how, when you simply have a light and a dark surface in an arrangement [it is drawn], how you could not feel a face turned in this direction, surrounded by hair growth here (Fig. 105).

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Cite: GA 288/1920-04-05/p011 · edition English