IV. The Symbolism of the Building at Dornach II

If you see, for example, how the forward thrust of Lucifer's forehead virtually takes away Ahriman's foreheads, or how Ahriman's foreheads are hardened towards the back, then you see the interplay as it is the organizing force of nature. This then goes down. You see how a kind of centaur shape corresponds to Ahriman – a kind of centaur shape also corresponds to Lucifer – that they are connected to each other, want to be apart and cannot, complement each other in the colors, and below that the Persian-Germanic initiate, who carries the child floating on his hand, pointing out how the future and the hope for the future must be taken up in man by seeing through dualism.