IV. The Symbolism of the Building at Dornach II

This building was intended to be nothing less than a living expression of this. It is the continuation of what European culture has achieved, and this continuation should live, not die! But this building does not appeal to an indeterminate fate, to which one might comfortably surrender, but rather appeals to something actively alive. If people want to save European civilization without this active life, without this impulse for salvation, without this will, without this act of freedom, then this culture will not be saved, and will meet the same fate as Goetheanism in Central Europe. Then one might establish large archives and do philology in these large archives about what once was in Europe. But we should not let it come to archives alone; we should let it come to living buildings, both physical and spiritual, which already announce their liveliness through their forms. I would like that to be read from these forms. Because this name, Goetheanum, was longed for by someone, my dear friends, as the final name for this building here, which has already experienced the difference between a mausoleum of Goetheanism and what could be a living organism for the Goethean spirit, but in its further development, now for 1920, in fifty years for 1970, etc.