V. Human Character

GA 58/1910-03-14/p005 ·1910-03-14 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
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Anyone who understands Goethe's feelings on this occasion will easily turn his mind to all those phenomena where something inward is working to reveal itself in material form, in plastic shapes, as drawing, and so on. We have a most eminent example of this shaping, whereby an inner being reveals itself through outward form, in what we call human character. For human character gives the most varied and manifold expression to the direction and purpose of man's life. We think of human character as having a basic consistency. Indeed, we feel that character is inseparable from a person's whole being, and that something has gone wrong if their thinking, feeling and doing do not make up in some way a harmonious unity. We speak of a split in a man's character as evidence of a real fault in his nature. If in private life a man upholds some principle or ideal, and then in public life says something contrary to it or at least discrepant, we speak of a break in his character, of his inner life falling apart. And we know very well that this can bring a man into difficult situations or may even wreck his life. The significance of a divided character is indicated by Goethe in a remarkable saying that he assigns to Faust—a saying that is often wrongly interpreted by people who believe that Goethe's innermost intentions are known to them:

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Cite: GA 58/1910-03-14/p005 · edition English