52. The Wrath of Zeus. The Chained Prometheus
GA 68b/1909-10-21/p065
·1909-10-21
·
English
HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Da keine professionellen Stenogramme vorliegen, handelt es sich oftmals um notizenhaft festgehaltene Zusammenfassungen oder Berichte.» (Since no professional shorthand transcripts exist, these are often summaries or reports kept in the form of notes.). The publisher's description of the volume, as mirrored on AnthroWiki (GA 68b). The translation is the maintainer's, not a published one.
I could only hint at where the drama's nerve lies. I could show how the playwright's mind was filled with what is in human nature and how it interacts. That is why Aeschylus was able to show how anger arises from the astral body when the ego is bound in the cosmos, so that it can mature and develop the abilities that are appropriate to it, as it were, projected out of the cosmos into inner human nature. Through this powerful drama, we will see how anger has the mission of being a harbinger of love. In a certain respect, this is also what connects us with the noble word truth, which is related to human nature in a different way to anger.
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